Temple of Apollo Epicurius at Bassae, Greece.

This famous temple to the god of healing and the sun was
built towards the middle of the 5th century B.C. in the
lonely heights of the Arcadian mountains. The temple, which
has the oldest Corinthian capital yet found, combines the
Archaic style and the serenity of the Doric style with some
daring architectural features.
The temple was dedicated to Apollo Epikourios ("Apollo the helper").
It was designed by Iktinos,architect at Athens of the
Temple of Hephaestus and the Parthenon.
The ancient writer Pausanias praises the temple as eclipsing
all others but the temple of Athena at Tegea by the beauty
of its stone and the harmony of its construction.
It sits at an elevation of 1,131 metres above sea level on
the slopes of Kotylion Mountain.
The temple is aligned north-south, in contrast to the
majority of Greek temples which are aligned east-west;
its principle entrance is from
the north. This was necessitated
by the limited space available on the steep slopes
of the mountain. To overcome this restriction a door was
placed in the side of the temple, perhaps to allow worshippers
to face east or let light in to illuminate the statue.
The temple is of a relatively modest size, with the stylobate
measuring 38.3 by 14.5 metres containing a Doric peristyle of
six by fifteen columns (hexastyle). The roof left a central
space open to admit light and air. The temple was constructed
entirely out of grey Arcadian limestone except for the frieze
which was carved from marble. Like most major temples
it has three "rooms" or porches: the pronaos, plus a naos
and an opisthodomos. The naos most likely once housed
a cult statue of Apollo. The temple lacks some optical
refinements found in the Parthenon, such as a subtly curved
floor, though the columns have entasis.

Fragment of a metope, depicting an Amazon, displayed
at the British Museum. The temple is unusual in that it has
examples of all three of the classical orders used in ancient.
Greek architecture: Doric, Ionic, and Corinthian.
Doric columns form the peristyle while Ionic columns
support the porch and Corinthian columns feature in the interior. The
Corinthian capital is the earliest example of the order found to date.
It was relatively sparsely decorated on the exterior.
Inside, however, there was a continuous Ionic frieze showing
Greeks in battle with Amazons and the Lapiths engaged in
battle with Centaurs. This frieze's metopes were removed
by Charles Robert Cockerell and taken to the British Museum in 1815.
(They are still to be seen in the British Museum's Gallery 16,
near the Elgin Marbles.) Cockerell decorated the walls of
the Ashmolean Museum's Great Staircase and that of the
Travellers Club with plaster casts of the same frieze.
The temple had been noticed first in November 1765 by
the French architect J. Bocher, who was building villas
at Zante and came upon it quite by accident; he
recognized it from its site, but when he returned for
a second look, he was murdered by bandits.
Charles Robert Cockerell and Carl Haller von Hallerstein,
having secured sculptures at Aegina, hoped for
more successes at Bassae in 1811; all Haller's careful
drawings of the site were lost at sea, however.

The site was explored in 1812 with the permission of Veli Pasha,
the Turkish commander of the Peloponnese, by a group of British
antiquaries who removed twenty-three slabs from the Ionic cella
frieze and transported them to Zante along with other sculptures.
Veli Pasha's claims on the finds were silenced in exchange for a
small bribe, and the frieze was bought at auction by the
British Museum in 1815. This frieze's metopes were removed
personally by Charles Robert Cockerell.
Cockerell decorated the walls of the Ashmolean Museum's
Great Staircase and that of the Travellers Club with plaster casts
of the same frieze. The frieze sculptures were published in
Rome in 1814 and officially, by the British Museum in 1820.
Other hasty visits resulted in further publications.
The first fully published excavation was not begun until 1836;
it was carried out by Russian archaeologists under the
direction of Carlo Brullo. Perhaps the most striking discovery
was the oldest Corinthian capital found to date. Some of the
recovered artefacts are on display at the Pushkin Museum of Fine Arts in Moscow.






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